DIY Days

[wpcol_2third id="" class="" style=""][/wpcol_2third] [wpcol_1third_end id="" class="" style=""]

A maior desvantagem de estarmos no meio de uma revolução é o facto de não termos o distanciamento temporal para nos apercebermos disso.

3 de Março Free Creative Conference DIY Days.

Vai um pouco no seguimento do post "How Technology is Influencing Storytelling and Film", "Your Film Festival" e "PRESS PAUSE PLAY"

 

[/wpcol_1third_end]


How Technology is Influencing Storytelling and Film

[wpcol_2third id="" class="" style=""][/wpcol_2third] [wpcol_1third_end id="" class="" style=""]

Vincent Laforet: “The cameras are out there, they’re being used… let’s move onto the next thing, and the interesting thing about technology is how filmmakers reach out to their audience, and social media, and different ways of distribution and connection.”

Sharlto Copley: “Neil Blomkamp was a good example of… if you can do visual effects yourself, if you can composite, if you can do sound, if you can do everything, then you can force yourself into a position where people will notice you. You can’t really worry about whether Hollywood is going to give you a crack or not.”[/wpcol_1third_end]

link


Your Film Festival

[wpcol_2third id="" class="" style=""]

I Met the Walrus - Josh Raskin

Ataque de Pánico! - Fede Alvarez

[/wpcol_2third] [wpcol_1third_end id="" class="" style=""]

"Agora é tão fácil fazer um filme e mostrá-lo.

Não é necessário ter um estúdio por trás ou milhões de dólares.

Apenas é preciso uma ideia e um pouco de tempo."

Josh Raskin

[/wpcol_1third_end]


Nikon D800

[wpcol_2third id="" class="" style=""][/wpcol_2third] [wpcol_1third_end id="" class="" style=""]

A luta pelo pódio de melhor DSLR para vídeo continua, hoje foi anunciada oficialmente a Nikon D800, que tem obrigação de destronar a Canon 5D markII lançada à quase 4 anos.

Contudo, após a inovação criada pela  D90, a primeira DSLR com capacidades de vídeo, a Nikon pouco tem melhorado a qualidade do seu modo de vídeo, muito devido aos fracos codecs utilizados e controlos de vídeo desleixados, empresas como a Panasonic com a GH2 e a Sony com a nova Nex 7, tem mostrado que o futuro pode passar pelas  câmaras mirrorless de lentes intermutáveis. [/wpcol_1third_end]


Touch of Evil

[wpcol_2third id="" class="" style=""]

A imagem tem o link para  a página com os vídeos.[/wpcol_2third] [wpcol_1third_end id="" class="" style=""]

Likability may be the currency of movie stardom, but most actors agree that the juiciest, most memorable roles often belong to the villains. The 13 performers featured in this year’s portfolio have distinguished themselves in 2011 by playing nice, noble, tragic and heroically patient characters — as well as many who defy easy description — but as a rule they have not impersonated monsters, killers, thugs or other figures of malevolence. So the magazine offered them the chance to try on the black hat.

Some of these villains are inspired by specific icons of unpleasantness. Others tap more generally into the primal fears that remain a potent source of pleasure and discomfort at the movies. Cruelty. Seduction. Rage. The ability of these actors to disturb us with a gesture, a change of expression or a simple stare only serves to make us like them more.

A.O. Scott

[/wpcol_1third_end]

 

 


PRESS PAUSE PLAY

[wpcol_2third id="" class="" style=""]

[/wpcol_2third] [wpcol_1third_end id="" class="" style=""]

The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities. But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era.

Documentário disponível para download gratuito.

[/wpcol_1third_end]